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Fossil Time: oil, art and the body in the cosmopolitics of the Anthropocene||Fossile Temporalité: pétrole, art et le corps sur les cosmopolitique de l’Anthropocène||Fossil Time: oil, art and the body in the cosmopolitics of the Anthropocene
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Metadados
Descrição
An artistic and theoretical investigation on fossil fuels, industrial agencies in nature and their reflections on social structures and power systems. With the goal of inspecting the operation of the arts in the cosmopolitical battles of the present especially in the new geological epoch called Anthropocene – the article analyses performance and sculpture as practices that could materialize crossings of temporalities and dimensions, reflecting on the encounter between the scales of the human and the planet. Bruno Latour’s Actor-network theory is a departing point for conceptual speculations, developed with the freedom and experimentation that moves artistic research.||Une étude artistique et théorique sur les combustibles fossiles, les assemblages industriels dans la nature et ses réflexes dans les structures sociales et les systèmes de pouvoir. Afin d’examiner le rôle des arts dans les conflits cosmopolitiques du présent – en particulier en ce qui concerne le nouvel âge géologique de l’anthropocène – l’article observe la performance et la sculpture comme des pratiques artistiques qui peuvent matérialiser les passages des temporalités et dimensions, en reflétant la rencontre entre les échelles l’humain et la planète. La théorie de l’acteur-réseau de Bruno Latour est le point de départ des articulations conceptuelles, dessinées avec la liberté et l’expérimentation caractéristiques de la recherche artistique.||An artistic and theoretical investigation on fossil fuels, industrial agencies in nature and their reflections on social structures and power systems. With the goal of inspecting the operation of the arts in the cosmopolitical battles of the present especially in the new geological epoch called Anthropocene – the article analyses performance and sculpture as practices that could materialize crossings of temporalities and dimensions, reflecting on the encounter between the scales of the human and the planet. Bruno Latour’s Actor-network theory is a departing point for conceptual speculations, developed with the freedom and experimentation that moves artistic research.
Colaboradores
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Abrangência
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Autor
Fraga (Universidade Federal do Rio de Janeiro – UFRJ, Rio de Janeiro/RJ, Brazil), Mari
Data
4 de outubro de 2022
Formato
Idioma
Direitos autorais
Copyright (c) 2017 Revista Brasileira de Estudos da Presença
Fonte
Brazilian Journal on Presence Studies; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 31-62 | Révue Brésilienne d'Études de la Présence; Vol. 8 No. 1 (2018): Jan./Mar. 2018; 31-62 | Révue Brésilienne d'Études de la Présence; Vol. 8 No 1 (2018): Jan./Mar. 2018; 31-62 | Revista Brasileira de Estudos da Presença; v. 8 n. 1 (2018): Jan./Mar. 2018; 31-62 | 2237-2660
Assuntos
Body | Contemporary Art | Fossil Fuels | Anthropocene | Climate Change | Corps | Art Contemporain | Combustibles Fossiles | Anthropocène | Le Changement Climatique | Body | Contemporary Art | Fossil Fuels | Anthropocene | Climate Change
Tipo
info:eu-repo/semantics/article | info:eu-repo/semantics/publishedVersion