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The Performance Leite Derramado: : challenging the controlling images
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Descrição
The Performance Performance: challenging the controlling images – The article proposes to analyze the performance Leite Derramado (2013) by the artist Ana Musidora from point of view of Black mother representation. In this regard, we investigate the concept of controlling images by the American sociologist Patricia Hill Collins and the images invoked to define the black woman in Brazil, by the Anthropologist Lélia Gonzalez. We reflect on how Leite Derramado explores critical layers on the images/historical representations sorted according to patriarchal and slavery values on Black women.||Performance Lait renversé: défier les images de controle – L'article propose d'analyser la performance Lait renversé (2013) de l'artiste Ana Musidora à partir de la représentation de la mère. J'étudie le concept d'images de contrôle, défini par la sociologue américaine Patricia Hill Collins, ainsi que les images invoquées pour définir une femme noire au Brésil, par l'anthropologue Lélia Gonzalez. Je cherche à mettre en lumière comment Lait renversé explore différentes couches d’analyse critique d'images et de représentations historiques de femmes noires ordonnancées selon les valeurs patriarcales et esclavagistes.||The article proposes to analyze the performance Leite Derramado (2013) by artist Ana Musidora from the perspective of the representation of the Black mother. In this regard, we investigate the concept of controlling images by American sociologist Patricia Hill Collins and the images invoked to define black women in Brazil, by Anthropologist Lélia Gonzalez. We reflect on how Leite Derramado explores critical layers on the images/historical representations sorted according to patriarchal and slavocratic values on Black women.
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Abrangência
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Autor
Severo, Rodrigo
Data
27 de outubro de 2022
Formato
Idioma
Direitos autorais
Copyright (c) 2022 Revista Brasileira de Estudos da Presença
Fonte
Brazilian Journal on Presence Studies; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-28 | Révue Brésilienne d'Études de la Présence; Vol. 12 No. 4 (2022): Out./Dez. 2022; 1-28 | Révue Brésilienne d'Études de la Présence; Vol. 12 No 4 (2022): Out./Dez. 2022; 1-28 | Revista Brasileira de Estudos da Presença; v. 12 n. 4 (2022): Out./Dez. 2022; 1-28 | 2237-2660
Assuntos
Controlling Images | Representations | Black Performance | Decolonized Aesthetics | Black Women
Tipo
info:eu-repo/semantics/article | info:eu-repo/semantics/publishedVersion