Descrição
This text discusses the pleasure of filming and researching, focusing on the documentary The End and the Beginning, by Eduardo Coutinho. The aim is to articulate affirmations by the director about his creative process, with scenes and statements from the people interviewed in the film, most of whom are over 80 years old. In dialogue with Didi-Huberman, Foucault, Rancière, and Marie José Mondzain, as well as partners of Coutinho such as Jordana Berg, João Moreira Salles, and Consuelo Lins, issues related to the craft of academic research are discussed: the relations between truth and montage, real and imaginary, listening to the other and poetry of the word, image and ethical commitment.||RÉSUME – La Fin et le Début: le hasard et la poétique de l'écoute chez Eduardo Coutinho – Ce texte traite du plaisir de filmer et de rechercher, autour du documentaire La fin et le début, d'Eduardo Coutinho. L'objectif est d'articuler les discours du réalisateur sur son processus de création, avec des scènes et des témoignages de personnages du film, dont la plupart ont plus de 80 ans. En dialogue avec Didi-Huberman, Foucault, Rancière et Marie José Mondzain, ainsi qu'avec les partenaires du cinéaste, comme Jordana Berg, João Moreira Salles et Consuelo Lins, les questions liées au métier du chercheur, dans le domaine académique sont discutés: le rapport entre vérité et montage, réel et imaginaire, écoute de l'autre et poésie du mot, de l'image et de l'engagement éthique.
||This text discusses the pleasure of filming and researching, focusing on the documentary The End and the Beginning, by Eduardo Coutinho. The aim is to articulate affirmations by the director about his creative process, with scenes and statements from the people interviewed in the film, most of whom are over 80 years old. In dialogue with Didi-Huberman, Foucault, Rancière, and Marie José Mondzain, as well as partners of Coutinho such as Jordana Berg, João Moreira Salles, and Consuelo Lins, issues related to the craft of academic research are discussed: the relations between truth and montage, real and imaginary, listening to the other and poetry of the word, image and ethical commitment.
