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Gordon Craig’s Scene Project: a history open to revision||Le Projet Scene de Gordon Craig: une histoire ouverte à révision||Gordon Craig’s Scene Project: a history open to revision
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Descrição
The article proposes a review of Gordon Craig’s Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craig’s original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the Bibliothèque Nationale de France, Craig’s original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene.||L’article a pour but de faire une révision du projet Scene, de Gordon Craig, une invention brevetée en 1910 et développée jusqu’en 1922. Craig lui-même a soutenu une position ambiguë s’il s’agissait ou non d’un projet irréalisé. Son fils et biographe, Edward Craig a défendu que les aspirations originales de Craig n’aient jamais été atteintes à cause des limitations techniques et la plupart des chercheurs qui ont examiné la question ont suivi cette position. Je pars des écrans modèles gardés à la Bibliothèque Nationale de France, des cahiers d’annotations originaux de Craig et d’un court métrage datant de 1963, pour défendre que le projet breveté et l’essai publié en 1923 représentent la vraie concrétisation du dispositif rêvé des milles scènes en une scène.||The article proposes a review of Gordon Craig’s Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craig’s original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the Bibliothèque Nationale de France, Craig’s original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene.
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Abrangência
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Autor
Ramos (University of São Paulo, São Paulo/SP, Brazil), Luiz Fernando
Data
14 de outubro de 2022
Formato
Idioma
Direitos autorais
Copyright (c) 2022 Revista Brasileira de Estudos da Presença
Fonte
Brazilian Journal on Presence Studies; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462 | Révue Brésilienne d'Études de la Présence; Vol. 4 No. 3 (2014): set./dez. 2014; 443-462 | Révue Brésilienne d'Études de la Présence; Vol. 4 No 3 (2014): set./dez. 2014; 443-462 | Revista Brasileira de Estudos da Presença; v. 4 n. 3 (2014): set./dez. 2014; 443-462 | 2237-2660
Assuntos
Screens | Scene | Models | Stagecraft | History | Gordon Craig | Screens | Scene | Models | Stagecraft | History
Tipo
info:eu-repo/semantics/article | info:eu-repo/semantics/publishedVersion