Descrição
This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being.||Este artigo teoriza sobre uma cênica feminista, resultante da aplicação ao teatro das epistemologias feministas, sintetizando a crítica que fazem às demarcações canônicas atreladas ao ato de conhecer, que contribuem para a desvalidação da experiência das mulheres. Associa-se seu modo de funcionamento à consciência das hierarquias de gênero, às quais reage por meio da formulação de estratégias poéticas e políticas de enfrentamento aos modelos sociais discriminatórios e sexistas e aos seus sustentáculos simbólicos. Conclui-se que essa cênica feminista encontra centralidade na pedagogia, onde emergem formas de saber emancipatórias e territórios de resistência e criação, que ressignificam o ser.||Cet article décrit un scénique féministe, issu de l'application des épistémologies féministes au théâtre, synthétisant la critique qu'elles font des démarcations canoniques liées à l'acte de connaître, qui contribuent à invalider l'expérience des femmes. Son mode de fonctionnement est associé à la conscience des hiérarchies de genre, à laquelle il réagit à travers la formulation de stratégies poétiques et politiques pour affronter les modèles sociaux discriminatoires et sexistes et leurs supports symboliques. On conclut que ce scénique féministe trouve une place centrale dans la pédagogie, où émergent des formes de connaissance émancipatrices et des territoires de résistance et de création, qui donnent un nouveau sens à l'être.||This article describes a feminist scenic, resulting from the application of feminist epistemologies to theater, synthesizing the criticism they make of the canonical demarcations linked to the act of knowing, which contribute to the invalidation of women's experience. Its way of functioning is associated with the awareness of gender hierarchies, to which it reacts through the formulation of poetic and political strategies to confront discriminatory and sexist social models and their symbolic supports. It is concluded that this feminist scenic finds centrality in pedagogy, where emancipatory forms of knowledge and territories of resistance and creation emerge, which give new meaning to being.
